Oil on canvas, 36" by 24", "Over The Mountain Top", Signed LR

Written in pencil on canvas along edge "#6700 Over the Mtn Top"

Oil on board, 20" by 16"

Oil on canvas, 25 x 30inches, signed LR. Period frame.

Oil on board, 12” by 16”, Sawmill, Woodstock

Watercolor on paper, 13.75" by 10", Signed LL

Oil on canvas, 42" by 30.25", "Mid Summer Landscape" Signed LR

Stamped on back of canvas "Dudensing Galleries 5E57 NY"

Paper label on back of canvas " item #196, bin number, price $1000"

Paper label on back of stretcher "Lyman Allen Museum, 1932.83"

Card on back of frame:  Detroit Institute Annual Exhibition card  "...Summer Landscape"

Card on back of frame:  Art Institute of Chicago Exhibition card  "Mid Summer Landscape" $1000

Fragment of one more (exhibition) card

Ink on back of frame"  "Arnold Blanch Woodstock NY"

32 x 34 inches, signed Blanch Lower center, by
Contempora Original, all silk hand rolled

Oil on board, 13" by 18", Signed LC

Original frame.

Gouache on board, 11" by 15", "Village with Moon", Signed LR dated 1954

On back, AAA label, "Village with Moon, gouache on board, price $150"

Pencil on back of board "Village with Moon, Arnold Blanch"

Original frame.

Ink and watercolor on paper, 5.5" by 8"

Oil on canvas, 16 inches by 20 inches, signed LR.

This painting is a puzzle. It is signed in black block letter “BLANCH” and similarly written on back of canvas. This not the usual signature of Arnold Blanch which includes his first name and is written in cursive. Style of painting and the style of the signature (block letters in black) is more like that of Charles Rosen. The house shown may be one of the houses in Woodstock occupied by Blanch. We welcome help from anyone who has a suggestion of what is going on. Thanks to Tom Wolf.

Charcoal and gouache on illustration board, 28.25" by 21", Signed LR

Charcoal on paper, 8.75 by 22 (view), Signed LL

Incomplete sketch on back

Print, 13.5" by 8.5' (image), "Duck Hunter", Signed with pencil LR

Print, 17.75" by 25", "Bouquet", Signed with pencil LR

AAA description of print and artist on back

Print, 14.75" by 22.5",  "Flowers", Signed and dated LR, 1951

Oil on canvas, 25" by 30", "St. Joseph's, Malden Bridge", Signed LL

Card on back of stretcher:

Kraushaar Galleries, 1055 Madison Ave., N.Y., N.Y.

Artist:  Louis Bouche

Title:  St. Joseph's, Malden Bridge

Price:  00  No K7503   Size 30x25

 Original frame.

This article identifies the man leaning agains the tree as Peter Joray and the woman in the black dress as Mrs. Richard Raymond

Thanks to Glenn Fisher for pointing out this news article

From the July 21, 1960 of the Chatham Courier

Oil on board, 24" by 18", Signed LL and dated (19)53

Oil on canvas, 22” by 28”, signed  LL

Oil on panel, 16" by 12", "Evening Travelers" Signed LL

Sticker on back of panel

"Nov 28, 1988

Evening Travelers"

Bolton Coit Brown

Born, Dresden, N.Y. 1865

Sticker on back of panel

"Mongerson Wunderlich, 704 North Wells Street, Chicago, Illinois 60610

Bolton Coit Brown "Evening Travelers"

O/Panel

4,500

Several other stickers with obscure notes

Oil on canvas, 38" by 24", "Fishing shacks and dories on the beach", Signed “Bolton” LR

Original frame.

Oil on canvas, 24" by 16.5", "Three Bathers" (based on title of corresponding print),  unreadable signature ? LL

Label on back of stretcher"

"Incomeing NCMA 11/23/76 Arthur B. Davies

Landscape with nude figures  Oil on canvas

NCMA is North Carolina Museum of Art

Oil on canvas, 27” by 35”, “The Haying” original frame, signed LR.

Written on back in cursive (Lucy Brown’s?):” The Haying, Bolton Brown, 106 E. 23rd St., New York.”  Also on back a tacked paper label mostly unreadable “Chicago, Illinois”.

Watercolor, 22" by 15" (view), Signed LR

Oil on canvas, 34 by 28 inches, signed lr, inscribed “Ogonquit Museum” on back

Oil on canvas, 31” by 26”, “The Jewess”, SLR.

Exhibited:

Cincinnati Art Museum, 38th Annual Exhibition of Art, 1931, no. 12

Art Institute of Chicago, 44th Annual Exhibition of Paintings and Sculpture, 1931, no. 25, cat illus.

New York, The Downtown Gallery, Alexander Brook: Exhibition of Paintings, Jan. 5-Jan. 24, 1932

Oil on board, 16" by 13", "Maison' iaus", Signed LR

Label passed to back"

Rudolph Galleries

(Woodstock's Out Door Art Exhibit)

Artist:  Marion Bullard

Title:  Maison" iaus       Price $50

Written on back:

Marion Bullard

Woodstock, NY

$75

Oil on canvas, 14" by 22",  Signed LL and dated (19)22

This pair of carved panels were made to become part of a chest but were never used.  They are 14.5 inches by 10.75 inches and depict waterlilies.  The original design drawing accompany them.  These come directly from the Whitehead/Wilcox family via Robert Edwards.

These panels were displayed exhibition "Byrdcliffe Arts and Crafts Colony, Delaware Art Museum, November 9, 1984-January 16, 1985, no 1

Oil on board, 12” by 16”, titled Woodstock Barnyard Estate, stamped verso.  Provenance: Vose Galleries.

Oil on board, 8" by 6", "The Cloud"

Vose Galleries Stamp on back of board

Registry c-344

Estate No 436 by

John F Carlson, N.A.

Oil on canvasboard, May Morning. Inscribed on reverse. Provenance: Keno Auctions; 8in. X 10in.

Oil on canvas, 20" by 24",  "Portrait of Marion Greenwood", Signed LL

 Written on stretcher:

"Portrait of the Artist Marion Greenwood, N.A."

 Oil on canvas, 25" by 30", "For Gino", Signed UL

 Scribed in wet paint UL "For Gino (Mangravite) John Carroll"

Drawing on paper, 10" by 13" (view), Sign with initials and dated (19)55

Drawing on paper, 10" by 13" (view), Sign with initials and dated (19)55

Drawing on paper, 15" by 11"

Watercolor on paper, 10.5" by 8", Signed LR

Oil on canvas, 27" by 16.25",  Signed LR

Newman Galleries, Phila., pasted to back of frame

Oil on board, 16" by 12", Signed LR

Oil on board, 18" by 14", "Edge of the Grove", Signed LR

Vose Galleries label pasted to back of board

"#FSC 92

Chase, Frank Swift (1886-1958)

"Edge of the Grove"

Oil on Canvas Board, 14 x 16 inches

SLR

Oil on canvas, 24.75" by 12.5", "Italian Summer", signed LL

Written on back of stretcher:  "Italian Summer  Edward Chavez"

Original chestnut frame

Oil on canvas, 16" by 12", Signed LR

Oil on board, 16" by 12", Signed LR

 Oil on canvas, 36" by 30", Signed LR

Oil on board, 16" by 12", Signed LR

 Oil on board, 16" by 12", Signed LR

Oil on canvas, 36” by 24”, Woodstock in Winter

Oil on canvas, 16" by 20", Signed LR

 Newcomb-Macklin Frame label pasted to back of frame

Artists Proof, 16 x 24 inches

Oil on masonite, 24" by 16", "Autumn Landscape", Signed LR and dated indistinct

 On back:  "Autumn Landscape  Richard Crist $35 (price not clear)

 Original pine frame.

Oil on canvas, 24" by 16.5", Signed in pencil script LR

 On back of canvas:  "Crampton (in ink?) also something in pencil

On back of stretcher:  "Top   $300"

Watercolor on paper, 14.75" by 19.5" (view), Signed LL and dated (19)53.

Oil on canvas, 30" by 25", Signed UR

Pastel on paper, 31" by 22", Signed LR

 Original frame.

Oil on  canvas, 31" by 22", Signed LL

Oil on masonite, 20" by 12", Signed LR

 Stamped on back of frame:  "Rudolph Galleries, Woodstock New York, Coral Gables Fla."

 Original frame.

Oil on canvas, 36" by 21", Signed (inscribed in wet paint) LR and dated July 10, (19)79"

Oil on canvas. Abstract Composition. Signed l.r.; 26in. X 30in.  1958-59.

Original plaster for bronze casting, Stations of the Cross

Original plaster for bronze casting, Stations of the Cross

“Porta dell Inferno”,

Title identified by photo of this bronze in the archive of Victoria and Albert Museum. Thanks to Dennis Corrado for finding this reference.

 Watercolor and ink on paper, 10" by 8", Signed LR and dated 1959

Crayon on paper, 14.5" by 10", Signed LR

Oil on canvas, 20" by 16", "A Water Lily", Signed LR

 Plastic sticker on back of stretcher:  "A Water Lily"

Written in ink on back of stretcher:  "E Feine (and what looks like an address). $75"

Oil on canvas, 22" by 14", Signed LR

Gouache on board (?), 9" by 12"(view), "Thistles Against Sky" Signed LL

Written on back in pencil "Thistles Against Sky"

Fragment of gallery label on back "...Park 22..."

 Original frame.

Carved wood (birch?) on flat back board (mahogany?) 9.6" by 13.3", "Humilitas", Signed in ink on bottom of neck: "Fite (unreadable) 1937 XI".

Cast stone mounted on wood base, 22.4" high, from the collection of Elliott Gruenberg (through Kaminsky Auction, Dec 29, 2009)

John B. Flanagan (1895-1942), pencil on paper, signed lower right, 5 1/2 x 10 1/2 inches

Verso label: E.WEYHE-ARTBOOKS-PRINTS 794 LEXINGTON AVE.NEW YORK

From the Estate of Mary Erlange

c 1930 wood engraving. Image 6 x10 inches.

Oil on canvas, 16" by 20", "Banzi", Sign LL

Written on edge of canvas on back "BANZI"

Card attached to stretcher identifies artist, title, size, date (1968) and photographer (Zabarsky Bost.)

 Original frame.

Lithograph on paper, 5" by 8.5 ", "Surrogate James A. Foley", Signed LR

Crayon on paper, 11" by 8", Signed LR and dated (19)29

Bronze, 22" high, "Chaim Gross", Signed on base and dated 1958, foundry mark

Bronze

Gouache on board, 9.5" by 12" (view, "Fire Eaters", Signed LR

 Grand Central Galleries label on back giving artist name and title

 Original frame.

Oil on canvas, 40" by 30", Signed LR

Oil on board, 16" by 12", Signed LR

Oil on board, 16" by 12", Signed LR

Oil on board, 45 by 60 inches, signed and titled lower center

Ink and pencil on paper, 10.25" by 7.5", "Woodstock Gallery, Hanging Day), Signed LR and dated (19)27.

"Interior-Patchin Place,"1921, graphite on paper, pencil signed and dated lower left, titled lower center, overall (with mat): 20"h x 17"w

Oil on board, 30" by 21.5", "The Negev", Signed LR

 On back of frame in pencil:  artist name and framing instructions

Oil on board, 16" by 12"

 On back of board:  R. H. Love Galleries label

                                 Inv.  #G241/600.

Artist name written in ink on back of board

Oil on canvas, 18"by 26". Previously housed under glass. Original frame.

Lovell Birge Harrison (American, 1854-1929) "The Departure of the Mayflower" (also: "Return of the Mayflower") completed 1886, oil on canvas, 66.5" x 95", signed lower right, original stretcher and 1913 frame Exhibited: Medalist at the Chicago World's Columbian Exposition, 1893

The American Art Galleries, New York City, 1897 as "Return of the Mayflower"

Trans-Mississippi and International Exposition, Omaha, Nebraska, 1898

The Paris Salon, Hors Concours, 1888

International Maritime Exhibition, Boston, 1889-90

Albright-Knox Gallery, 1909

Art Institute of Chicago, 1913

St. Louis Art Museum, 1913

Detroit Museum of Art, 1914

Carnegie Museum of Art, 1914

The American Art Gallery, NYC, 1914

Referenced or illustrated: Ripley Hitchcock, Art of the World 1, New York, Appleton, 1895, p. 60.

William Walton, World's Columbian Exposition; Art and Architecture, George Barrie and Son, Philadelphia

"Pictures by the Harrison Brothers," The New York Times, April 14, 1897

Official Catalogue of the Fine Arts Exhibit, Illustrated, Trans-Mississippi and International Exposition, Omaha, Nebraska, 1898

The National Cyclopedia of American Biography, Volume II, J. T. White Co., 1901, as "Return of the Mayflower"

Biographical Sketches of American Artists, Michigan State Library, 1912, as "Return of the Mayflower."

"Birge Harrison—Poet Painter," Charles Louis Borgmeyer, The Fine Art Journal, October 1914, as "Return of the Mayflower."

Andrea Husby, Birge Harrison: Artist, Teacher, and Critic, City University of New York, 2003

Kirsten Jensen, The American Salon: The Art Gallery at the Chicago Interstate Industrial Exposition, 1873—1890, ProQuest, 2007

Provenance: 1886 to 1929: Lovell Birge Harrison

1929 to c. 1933: Frederic Newlin Price (Feragil Galleries)

1933 to 2007: Benjamin West Society, Swarthmore College

2007 to present: Robert Edwards

An important example of American Barbizon, "The Departure of the Mayflower" won a medal when it was displayed in the fine art galleries of the 1893 World's Columbian Exposition, where it was identified as "The Return of the Mayflower." The left half of the painting can be seen on the bottom row to the far right in a photograph that was published in William Walton's World's Columbian Exposition; Art and Architecture. The artist put on the present oak frame for the 1913 traveling exhibition "Paintings by Alexander Harrison and Birge Harrison;" it retains multiple shipping labels from that tour. The simple black molding conforms with those on frames described by Harrison in "On Framing Pictures," a chapter in his book, Landscape Painting. Identical frames may be seen in period photographs of Harrison's art as it was hung at Jane and Ralph Radcliffe-Whitehead's Santa Barbara home, Arcady and their Byrdcliffe home, White Pines.

Oil on canvas (mounted on Al?), 25" by 17.2", "The Environs of Kingston, NY", Signed LR

 Title written on back of stretcher in pencil

Oil on canvas, 20" by 24", "Peonies", Signed LR

 Woodstock Art Association exhibition card tacked to back of frame. Gives title, artist, and "Not for sale".

 Alcala Gallery (La Jolla) consignment sheet attached to back, "due consignor $3000"

 Original frame.

Oil on canvas, 30" by 24", "October Sunset", Signed LL

 Title written in pencil on back of stretcher

 Original frame.

Oil on board, 10.5" by 13.5", Signed LL and dated 1907

 Christie's auction label: 04 May 93 lot 63

Oil on board (paper?), 15.25” x 21.25”, Tonalist Landscape with Cottage. Signed LR.

Gouache on board, 28" by 20", Signed LR

 J. Grippi, NY framing label on back of board

Enamel on copper, 9" by 11", Signed LR

Collection of small enamels on copper.

Oil on masonite, 30" by 40", Signed LL

Oil on masonite, 20" by 24", Signed UL

Gouache on board, 7" by 10", Signed UL

Portrait of Emil Ganso.

Oil on canvas, 12" by 16", "Fairy Pool, Watkins Glen", Signed LR and on back, dated 1878.  Note, James Hope had a studio in Watkins Glen and was visited by Bolton Brown as a young boy.

 Back of canvas gives title, artist and date.

Oil on canvas, 14" by 20", attributed

Oil on canvas, 38 by 48 Inches, signed and dated lr, gum label on back of canvas gives: artist, sitter, date, and dimensions

Oil on canvas, 24" by 20"

Written in ink on back of frame:

"Neil Ives circa 1945

New York Landscape Artist

Woodstock, New York

Died 1946 age 52

Gift from Bernie Dunn 1963"

Pencil on paper, 13.5" by 10"(view), Signed LR

Oil on board, 10" by 8", Signed LL

Oil on board, 10" by 8", Signed LL

Signed “Kaz 66”

Oil on board, 32" by 26", Signed LR

Oil on canvas, 14" by 18", "Gu Tree Woods", Signed LR

 Ink on back of stretcher:  "Gu Tree Woods"  G. Klitgaard  Bearsville N.Y.

Oil on canvas, Gulls Flying, 22 x 34, signed LR.

Partial label on back:  Audubon Artist Annual. National Academy of Design, New York.

Provenance: Purchased Litchfield Auction Gallery, October 2017, Marbella Gallery, New York, New York

Oil on board, 14" by 14", Signed LL

Oil on board, 24" by 20", Signed LL

“Seated Nude from Back”.  Oil on canvas, 26 “by 32”, signed LR dated “19”.

Stair Galleries lot 227, June 2013; Sothebys (2012-13); Carone Gallery, Fort Lauterdale, Florida.

Original etching by Leon Kroll  Has an inscription "to my dear sister Berthe" who would later found the American Craft Museum that would become the Museum of Folk Art.  At the time this etching was made,1908 ,Kroll was about 24 years of age and was working in the studio of George Bellows in New York.

These are Kroll’s parents see Hale and Bowers plate2.

study for portrait of composer Leo Ornstein (1893-2002)

sgn. l.l. Leon Kroll

red chalk on paper, 13.5 by 10.5 in. (sight); gold frame, matted, under glass

Along with book “Leo Ornstein, The Man-His Ideas-His Work” by Martens

Kroll painted Leo ‘Ornstein at the Piano’ in 1918. The work was acquired by the Art Institute of Chicago in 1919.

Pencil on paper, self-portrait.

Oil on masonite, 14.5" by 12" , Signed UR

Print on paper, 14" by 10.5 (view)", Signed LR

 Label on back of frame:  Frame made by Vasco Pini, Woodstock, New York

 Original frame.

Ink and watercolor on paper, 8.5" by 5 (view)", Signed LR

 Inscribed with pencil:  "With love to Eleanor  Sidney Laufman

Watercolor on paper, 19" by 14.5 (view)", Signed LR

 Original chestnut frame.

Oil on canvas, 29" by 21.5", Signed LR

 Written on back of frame in pencil:  Laufman

Oil on canvas, 25" by 19", Signed LR

Oil on canvas, 32" by 24.5", Signed LR

Oil on masonite, 13" by 10", Signed LL

Oil on canvas, 14" by 11", Signed LR

 Label on back of stretcher:  Rudolph Galleries, Woodstock and Coral Gables

Oil on masonite, 15.25" by 12.5", Signed LR

 Stamped or back of frame in two places:  Rudolph Galleries, Woodstock and Coral Gables

Watercolor, 17.5" by 23.25"

Oil on canvas, 28” by 22”, (39 by 34.5 overall) signed lrTitled on back both on canvas and on frame “March Evening” also “$600” on back of frame.

Oil on canvas, 40" by 32", Signed LR Original frame.

Oil on canvas, 14" by 20"

 Original frame.

Oil on canvas, 14" by 20"

 Estate stamp on rear of stretcher

Young Student, 1940

oil on canvas

signed Lucile Blanch (lower right)

32 3/4 x 25 1/4 inches.

Property from the Collection of Leonard Stark, Chicago, Illinois

Exhibited:

San Francisco, San Francisco Museum of Art, American Figure Paintings, 1943

Oil on canvas, 20” by 16”, signed LR.

George Herbert Macrum (1878-1970), Pastel, 14.5 by 19 inches

Oil on canvas, 53" by 43", Signed LR

 Original frame

Oil on canvas, 28" by 19.5", "Woods and Brook",Signed LR

 Pennsylvania Academy of Fine Arts Exhibition Label, Jan 24-Feb. 28, 1943

 Henry Mattson

Rehn Gallery

"Woods and Brook"

Original frame.

Oil on canvas, 24" by 270", Signed LR

 Oil on canvas, 30" by 18", "Spring Day", Signed LR

 Title written in pencil of back of stretcher

Oil on canvas, 20" by 26", "Old Amish Man", Signed UR

Art Institute of Chicago Exhibition Label, Sixty Fifth Annual Exhibition, 1945

Henry Mattson

"Amish Man"

F. M. Rehn (Gallery)

 Written on back of stretcher in pencil "Old Amish Man"

Rudolph Galleries, Woodstock stamped on back of stretcher.

 Original frame.

Oil on canvas, 16" by 20", Signed UR

Oil on plywood, 16" by 12", Signed "H.E.M." LL

Oil on canvas, 12" by 10", Signed LL

 Stamped on back of stretcher: Rudolph Galleries, Woodstock and Corel Gables

 Fragment of exhibition card (?) tacked to back

 Original frame.

Oil on canvas, 18" by 12", Signed LL

Oil on canvas, 21.25" by 27.5", Signed LR

 Written in paint on rear of canvas:             Prof. Pontcho Valtrhev

                                                                        Y Bulgaria, Sofia

                                                                        Fletcher Martin

Ink and watercolor on paper, 14.75" by 22"

 Written in pencil at bottom:            "Done in Woodstock in 1966

  in Art Student League by Fletcher Martin"

 Oil on masonite, 8" by 11", "Faces"

 Written in ink on paper back cover:  "Faces" by Fletcher Martin (American) 1904-  oil on masonite.

Watercolor on paper, 17" by 22.5", Signed LC

Print on paper

Print on paper, 43/140, 14" by 11" (view), Signed LR

Pencil on paper, 12" by 19", "Portrait of Virginia Plantation Owner", Signed LR

 Labels on back cover paper:  Robert Schoelkopf Gallery, 825 Madison Avenue, NY

 Also label for exhibition Art on Paper, Weatherspoon Art Gallery, Univ. North Carolina, Greensboro

Pen, ink and crayon on paper, 16.5" by 13", "Automation 3", Signed LC

 Inscribed BC "For Peter with affection Edward Millman"

 On back, tape label:              Automation 3

                                                13 x 16.25

                                                $175

                                                Pen Ink wax crayon

 Also on back of board in ink:  84

 Original frame.

Pastel and watercolor on paper, 13.5" by 5", "Sea Bird ", Signed LR and dated (19)49.

 Inscribed "for John  Edward Millman 49"

Oil on canvas, titled on back “Lorna Doon Country”, gallery label partially readable “ ?? Dyck Studios, 994 ?? Ave. NY”  Scene similar to that on Penman-Hardenberg ceramic tile shown in “Byrdcliffe, An American Arts and Crafts Colony” ed by Nancy Green, page 202.

Oil on board, 11" by 8.5" , "July Afternoon Catskill Mountains", Signed LR

 Title written in pencil on back cover paper

 Taped to back of board is a newspaper portrait for General Gino Perera by Howard E. Smith

 Original frame.

Oil on canvas, 26" by 35", "Pool at Evening", Signed LR

 On back, Grand Central Galleries Label with artist, title, size, and price ($1500)

 Also on back:  Carnegie Institute, Pittsburgh, Pa. Exhibition label

Watercolor (?) on paper, 22 x 30 inch

Oil on canvas, 19" by 23", Signed LR

Oil on canvas, 12" by 8", "Horse Fair" Signed LR

 Pencil on rear of stretcher:  Joseph Pollet

 Card behind canvas:  "42  Joseph Pollet with a brief biography, $

Oil on canvas, 25 x 30 inches, slr

Oil on masonite, 30" by 40", Signed LR

 On back:  Revzan

 Original frame.

Oil on paper, 15" by 20.5", "Helen Arndt, Denver", Signed LR and dated 1944

Oil on canvas on board, 24 by 30 inches, signed LL, 2013

From her website:

I was born in The Hague, Holland in 1936 and emigrated to the United States with my parents during WW2. My family moved to Woodstock, N.Y. when I was eight, and I was inspired from an early age by the excitement and creativity of the Woodstock art environment. I took a year off from college to study at the Academia De Belle Arte in Florence, Italy where my mother had been a student before me. After college I married Painter-sculptor Edward Chavez, an abstract artist, and when our daughter Maia (now also an artist) was in college, I studied art and art history at Yale University.Landscape and wildlife are my inspiration. With fisherman Dick Strain I am fortunate enough to travel to many of the world's wildest places. I always carry a back pack with painting supplies. Pleine Aire painting provides the source material for my studio works.

Oil on board, 17.5" by 24", "Nude", Signed LR

 Written in pencil on back of board, Paul Rohland, "Nude", unreadable

 Original frame.

Oil on canvas, 20" by 16", Signed LL

 Written in pencil on back of stretcher:  "Painted by Paul Rohland Woodstock N. Y. Ulster C."

 Original frame.

Oil on board, 14" by 17", Signed LR

Oil on board, 1" by 1", Signed Ll

Oil on canvas, 20" by 16", Signed LR

 On back of canvas:  G1-54

 On back of stretcher:  Edmund Rolfe, 1913"

 On back of stretcher:  stamp for C.C. Lowell Painters Supplies, Worchester, Mass.

 Original frame.

Oil on canvas, 40" by 32", "Quarry Hill", Signed LL

 Carnegie Institution exhibition label on back giving title, artist, and address (Woodstock).

 Formerly in collection of Mrs. Charles Rosen and by her descendants (via Carlsen Auction) to the present owner.

 Listed as number 203. in Charles Rosen 1878-1950.

     "203.  Quarry Hill, 1942, Kingston, New York

     Exhibited:  Carnegie Institution, Pittsburgh, Pa

     Collection:  Mrs. Charles Rosen, Woodstock, New York"

 Label on back of “Quarry Hill” painting by Charles Rosen

Pastel on paper, 18.5" by 15.5"

Charcoal on paper, 16 by 20 inches, signed lower left

This is the same scene as the larger oil shown on page 40 of “Charles Rosen, 1878-1950.” This oil painting is also Plate 38 in “Forms Radiating Life, The Paintings of Charles Rosen.”

Gouache on paper, 5" by 1.75"

Gouache on paper, 10.5" by 13.5"

Oil on canvas, 16" by 20", "Mother and Child", Signed LR and dated (19)55

 Roudolph Galleries label stamped to back of stretcher

 Card attached to back of stretcher:  with artist, title, address (Woodstock, NY), and unreadable

Oil on canvas, 21.5" by 15", "Beach in Cagnes/ s. M.", Signed LR

 Title on sticker on back of stretcher.

 Partial shipping label from Slizer on back of canvas

Oil no canvas, 24" by 18", Signed LR

Bronze, 11" high, Signed on base, number 34/50, foundry mark?

Watercolor, 32" by 23", Signed LR and dated (19)52

 Sticker on back:  5

Oil on canvas, 24" by 24", "White Birches", Signed LR 

Woodstock Art Association Exhibition Stub attached to rear of stretcher giving title and artist and "Not For Sale"

Oil on canvas, 24" by 24", Signed with symbol LR

From Smith's estate.  Artist uncertain.

Artist: Smith, Judson Dejonge (American, 1880-1962)

Title: Rondout Creek

Medium: oil on canvas

Dimensions: 24 x 30 inches

Signature: Signed lower right

Provenance: Exhibited at the Carnegie Institute

Frame Type: period American frame gold wood with painted wood liner (damaged on one edge)

Frame Size: 32 x 38 inches

From Smith's estate.  Artist uncertain.

Painting Title: Abstraction c.1950

Medium: oil on board

Size: 36 x 47

Signed: signed lower right

Watercolor on paper, 4.5" by 3", "Croton", Signed LR and dated 1929

 On back of framing:  "Painted by Harry Knox Smith, NY City 1929"

Oil on canvas, 24 by 30 inches, from Colleen Chance (Speicher’s niece) purchased 2019

Oil on canvas, 34" by 27", Signed LL and dated 1912

 Fine original frame

Oil on canvas, 19" by 22", "Young Girl With White Dress", Signed LR

 Label on back:  Eugene Speicher Bequest, National Academy of Arts and Letters, A-1 #318 with title of painting

 Label on back:  Portovault (New York City) ticket

 Pencil on back of stretcher:  title of painting, original frame.

Oil on canvas, 16" by 20"

 Fragments of various labels on back of frame, original frame.

Oil on canvas, 16 by 20 inches, from Colleen Chance (Speicher’s niece) purchased 2019

Oil on canvas, 17" by 18.5", Signed LR

 Original frame.

Crayon on paper, 7.75" by 9.75" (view), Signed LL

 Inscribed LL:  "To Robert Henri  Eugene Speicher"

Charcoal (?) on paper. 13.5" x 10.5", Signed lower right.

 Dedication lower left: ' to my dear friend Carl Eric Lindin / 1922.'

Drawing on paper, 8 inch by 14 inch, inscribed LR: “Eugene Speicher, To Jesse and Harry Xmas 1933”

Drawing on paper, 7.5" by 9.5", "To My Patience Sitter ‘Kay’ 1930", Signed LR

 Title inscribed LR

Drawing on paper, 12" by 18", Signed

Pencil on paper, 9" by 12" (view), Signed LL

Drawing on paper, 12" by 15", Signed LR

Pencil of brown (bag?) paper, 13" by 8", Signed LR

 Pencil on back gives what appear to be framing instructions

Oil on canvas, 14" by 16", Signed UR

Oil on board, 14" by 10", Signed LR

 Inscribed in pencil on back: “Old Church Kingston”

 Original frame.

 The Farm, Autumn

Unsigned.

Oil on canvas, 11 1/2 x 18 in. (29.2 x 45.6 cm), unframed.

Condition: Surface grime.

Provenance: Skinner, Inc., Sale 2115, Lot 233, November 17, 2001.

Oil on board, 7" by 5", Signed LL

Oil on canvas, 20" by 16", "November Landscape No 192", Signed LR

 Label on back gives title.

 From the Private Collection of Ralph Della-Volpe, Millbrook, NY

Oil on canvas, 14" by 18", “Still Life 3”

 conservation label on back

Oil on canvas, 16" by 20", "Flowers in Brown Vase", Signed on back of canvas

 Black paint on back of stretcher:  title of painting, $800

 Original frame.

 From the Private Collection of Ralph Della-Volpe, Millbrook, NY

Lithograph, 7" by 9", "Four Friends", Signed LR by JBB

 Shows the artists Leon Kroll, George Bellows, Eugene Speicher and Robert Henri in Henri’s studio 10 Gramercy Park, NY, NY.

Lithograph, 11.5” by 14.5”, “Portrait of Eugene Speicher”, signed LR and signed by printer Bolton Brown, LL.

Watercolor on paper, 21.5 by 14", Signed LC

Mixed media on masonite, 24 x 30 inch

, oil on canvas 28 x 36

Woven photograph

Woven photograph

Oil on board, 10" by 17", "Autumn", Signed LR

 On back of board typed label:  "Autumn Bradley Walker Tomlin"

 On back of board a hand written label:

 8-16-51

Tomlin

Applied 10" x 17"

unreadable but appears to describe conservation procedures used

 Foster Fine Art, Ann Arbor, MI label

Metal and ceramic on wood base. Head and wings move. Signed on bottom of base.

Watercolor on paper, 21" by 15" (view), Signed LR and dated (19)45.

Oil on canvas, 16" by 20", Signed LR

 Back of stretcher:  artist name scratched in

 Back of frame:  Jack Prager frame maker stamp

Early photographs showing Carl Walters and exterior and interior of his kiln at Woodstock

Original plaster tiles used to make the glass panel door of the then new Whitney Museum in NYC.  These doors are perhaps Walters most well know creation.

Typical Walters bowl, showing a typical signature on base.

A Walter's Stonelain rooster adn 3 small bowls.

Carved wooden creature, an unusual medium for Walters who is best known for his ceramics

Walter's Stonelain ducks.  Walters sold a variety of sculptures through Stonelain.

Walter's Stonelain pigeon.

Oil on board, 24" by 18", "Dry Dock - On the Rocks", Signed LR

 Stamped on back of board:  Earle B. Winslow, Woodstock, N.Y.

 Written in pen on back of board:  "Dry Dock - On the Rocks, $100."

Ink on paper,  9.5" by 16.5, Sign LC

Oil on masonite, 18" by 14.5", "Tidal Pool Reflections", Signed LR

 Written on back of frame in pencil:  "Tidal Pool Reflection $150"